Words & Photos By Nathan Allen

I’m so thankful that “DSLR quality” can now basically fit right into your pocket. In fact, though it has a few limitations, my Ricoh GR II has better image quality than any of my previous DSLRs…and at a fraction of the cost.

However, the Sony RX100 III is close behind, and is the clear winner in a few important areas. Well, each has its pros and cons. Here’s my detailed, real world comparison of these tech wonders  (it almost seems unfair to simply call them pocket cameras, right?). All sample images were taken by me.

You may be wondering why I chose to review the Sony RX100 III instead of the newest version, the RX100V. It’s because the Mk3 is the best ND Filter option for those looking to spend around the same as a Ricoh GR II. The Ricoh has come down in price, and at the time of writing can be found for just around $599 on Amazon.

Of course, the RX100 III has a wider 24mm lens than the GR II’s 28mm, but for me that was a benefit. I mostly shoot landscapes, and I suspect that *most* general consumers interested in the RX100 would also prefer the wider lens. Besides, you can always zoom to 28mm, the lens is still pretty fast @ f2.5 .

*I’m going to leave a “video” section out of this photography review, because if you’re after a pocket camera with serious video capabilities, you’re not going to find it in either of these…especially not the Ricoh. If you have the money, I say go for the RX100 V.

Build Quality – Look, Weight & Feel

Both cameras feel quite solid and well made, but I would say I like the build and feel of the Ricoh GR II better. The Sony RX100 doesn’t feel cheap, though…and is actually quite heavy for its tiny size. It’s solid as a brick.

With the Ricoh GR II’s simple ergonomics, useful handhold, and rubber grip, it’s much more DSLR like. In fact, I’ll say this right now: If you’re a picky DSLR user looking to add a killer pocket camera to your lineup, there’s no question. You need the Ricoh GR II. You’ll just have to get used to some limitations that I’ll touch on later.

One other thing to mention is the looks. In my opinion, the Sony has a more sleek and modern look. It’s not exactly screaming for attention with its small, classy logo. By contrast, the Ricoh….well…how do I put this?

It kind of looks like a toy camera from the 80s. It has no visible brand logo, and it doesn’t look particularly valuable. For my tastes & lifestyle, these are all HUGE selling points. Haha.

“The Ricoh GR is not for the image conscious; it’s for the image perfectionist.” – Nathan Allen

Size & Pocketability

This is one of the most important factors for me: Being highly mobile. I want a camera on me at all times….and yes, for me, a compact camera must be able to fit in a pants pocket. Even though the Ricoh GR II looks much larger at first glance, it is actually MUCH more comfortable in a pants pocket.

See how deceptive that is? The Sony looks much smaller, but where it counts, it’s not.

This is because the Ricoh GR II is not thicker, but instead, taller + skinnier (think smartphone shaped). For example, even though it’s quite a bit wider & taller than those old Nokia flip phones, a skinny iphone feels much better in your pocket, right?  Same concept (though of course the Ricoh is not as skinny as an iphone).

The Sony RX100 has a skinny (ish) body, but its lens protrudes a good 6mm more than the GR II, and it’s enough to feel (and see) the difference.

Sensor Size & Resolution

Let’s face it. The Ricoh GR II is just amazing in this respect. It has a full on DSLR sized sensor packed into it. It’s an APS-C (crop sensor), literally over 3 times the size of the one in the Sony RX100 III (which is already a 1-inch, and not too shabby).

However, considering the the Sony’s sensor is 3 times smaller, I doubt anybody would say the quality is 3 times less. The image quality and resolution produced by the RX100 is very impressive. Still, overall…the Ricoh GR II takes the prize.

As far as resolution, at first glance, you would think Sony’s 20.2 megapixel resolution would be a huge benefit over Ricoh’s 16.2MP.

The funny thing is…for me it’s not. This is because I shoot up to 10,000 RAW images a month, and I literally keep running out of space on my storage. Haha. It’s nice to fit that many more photos on my SD cards and hard drives, and I rarely seem to need more space for cropping.

Note* the RAW file sizes are smaller on the Ricoh, but the JPEGs are actually a tiny bit larger…

(Something I love is the built in horizon level on the GR II, I trained myself to use this for every shot, so that I don’t have to sacrifice some of my image by cropping and straightening. I believe the RX100 III has one too, but I can’t get it to display on the live screen.)

JPEG & RAW File Quality

Of course, both cameras offer full manual controls, and also RAW capabilities. As mentioned earlier, I shoot RAW, not JPEG. The Ricoh is awesome because it creates universal DNG files that recover quite a bit of detail. However, Sony’s ARW files also handle editing very well, and seem to import into my editing programs easily.

Both cameras have nice JPEG effect presets built in, and from what I’ve seen and heard, the Sony produces more pleasing “out of camera” JPEGS.

Sony’s 24-70mm Zoom vs Ricoh’s 28mm Fixed Lens

I’m one of those photographers who looked through my work and realized that 90+ percent of my photos were shot as wide as possible. I have to say, the Sony RX100 lens quality and sharpness at (all focal lengths) is quite impressive, but that comes with extra thickness in the pockets. It’s still not as sharp as the Ricoh GR II – at any focal length.

For me, the tack sharp Ricoh lens, edge to edge, in a truly pocketable body…is worth losing the zoom.

Overall Image Quality

Both of these cameras have exceptional image quality (in good lighting). I probably don’t need to say it, but the Ricoh, with its lack of an anti aliasing filter, pulls ahead with crisp, well contrasted detail across the whole frame. The RX100 III shows some softening near the edges, but much less than any comparable compact zoom that I know of. It’s still quite impressive.

I’m pretty sure I read somewhere that in some ways,  the image quality of the RX100 Mk3 surpasses even the Mk4 & Mk5!

Low Light & High ISO Performance

So far the Ricoh GR II is killin’ it. However, it’s time for the Sony RX100 to come back swinging. Low light and high (er) ISO is where this little camera shines. With a super fast f1.8 lens (a full stop faster than the Ricoh), these two cameras are not even comparable in low light. Especially handheld.

Pretty impressive, right? Just imagine how fun this camera is take out at night. Coupled with another feature I’ll get to below, shots like this in low light (without a tripod) are a breeze.

The RX100 can find and lock focus in surprisingly dim lighting, and it does pretty well with higher ISO (It’s no Fuji, though). Conversely, the Ricoh was terrible to focus in low light initially, and only slightly better after upgrading the firmware.

Let’s just put it this way: I don’t like to shoot above 400 ISO with the Ricoh, unless strictly for web use. I also might go above 1600 ISO if I’m looking for some “artsy grain” in my street photography. Bottom line: Low light is a big win for the Sony RX100.

Image Stabilization + Long Exposure

There’s no way around this – Sony also has unbelievable image stabilization. I have taken long exposure shots handheld with this camera…up to 1.6 seconds!

Sure, they may not be stellar when fully zoomed, but the images look sharp enough for web use for sure. To be able to do this handheld, it’s just incredible to me. I regularly take handheld shots at night, and limit to 800 ISO – thanks to the superb image stabilization (and a steady hand). This keeps my images as clean as possible…without needing to lug a tripod with me everywhere.

The RX100 III was the first in the series to include a built in 3 stop ND filter as well. This means I can take long exposure waterfall shots – even at noon on a sunny day! The shot below was taken handheld as well…a .8 second exposure with no tripod.

The Ricoh GR II also has an ND filter, but NO image stabilization. I keep telling myself that including image stabilization would increase the bulk of the camera, and make it less pocketable. This is how I sleep at night. Haha.

However, if you’re using a tripod, the Ricoh GR II has more long exposure options, and is definitely superior when it comes to image quality @ 100 or 200 ISO.

Minimum Focusing Distance – Macro + Bokeh

The minimum focus distance for macro is 10cm on the Ricoh GR II – twice the 5cm of the RX100. Generally, the closer you can get to the subject, the more bokeh, or blurred background you can achieve. A higher aperture (lower number) also increases the bokeh…so you’d think Sony has it in the bag.

However, the larger APS-C sensor on the GR II also allows for shallow depth of field…so an f2.8 with a larger sensor kind of works out equal to a smaller sensor with an f1.8. I call a tie, and that’s why I didn’t include any macro sample images. They both produce pleasing bokeh in close-up (macro) situations.

Sony RX100 III vs. Ricoh GR II – Battery Life

These two cameras are said to have the same battery life – 320 shots each on a full charge. In my experience, though, The Sony seems to have the advantage. I just ordered 2 more batteries for my Ricoh, so soon I’ll see if this specific battery is somehow to blame. *Update* – It’s not.

“Snap Focus” + Ability To Customize

These are areas where the Ricoh GR II simply trounces the competition. Snap focus is the ability to choose a focus distance between 1-5 meters (or infinity), and then leave it ready for action. Once you get used to knowing where and when to shoot, you really see the benefit of it.

You can take candid street photos with lightning speed, and the best part is that you can set the shutter to auto focus if only pressed halfway. In other words, a quick full press gives you your set focus distance, but if something falls outside of that distance, you can always press halfway to auto focus – and without changing any settings. Brilliant.

The Sony wasn’t designed so much with street shooters in mind, and it lacks “quick access” features like this.

*Check the “related links” at the end of the page for more of my street photography with these cameras.

As for being able to customize the camera, the Ricoh GR II truly is a photographer nerd’s dream come true. I was simply amazed at both the ability to customize, and the ease of doing so. The quick “memory” settings are especially useful when out street shooting.

There is also a unique “TAv” mode, which the Sony lacks. It’s great because it allows you to quickly change the aperture and shutter speed, while leaving the ISO in auto mode. Perfect for quickly adjusting depth of field, or for contrasted lighting or sports situations when you need to “freeze” or capture motion.

The Ricoh controls are all perfectly within reach, and incredibility intuitive. This camera is simply a joy to shoot with. To me, here it makes the Sony RX100 III menu and controls seem a bit clunky. To be fair though, I was pretty happy with the Sony before I had the Ricoh to compare it to…

 Click HERE to check out the updated Ricoh GR III on Amazon.

Sony RX100 III vs. Ricoh GR II – Final Pros & Cons

• The Sony RX100 III has a viewfinder and an articulating screen, but I would much rather it had neither, if it meant I could slip it into my pocket more comfortably. I know others are very happy to keep these features, though. Again, it is incredible how versatile and full-featured this tiny little camera is.
• The Ricoh GR series has a fatal flaw, especially for a pocket camera. It is very prone to dust on the sensor. I have probably taken 50,000 photos with my RX100, and I’ve always kept it in my pocket. Never a single issue with dust.

• This is nitpicking, but the RX100 collects fingerprints on the lens if I let somebody borrow it. I swear it doesn’t handle bright light bulbs at night very well either, unless the lens is VERY clean. (It gets that annoying “fog” halo that iphones with smudged lenses get).  The Ricoh has a deep set lens, which makes it harder to collect fingerprints (but also to clean).
• The Ricoh also has “Pinpoint AF“, which I absolutely love, and would be quite useful on a camera like the RX100 – with its super fast 1.8 lens and shallow depth of field.
• The RX100 has underwater housings available, and again, its fast lens is great for snorkelers + divers wanting to shoot in deep, low light conditions.
• Focus Ring – The Sony has a nice, smooth, focus ring. The Ricoh is missing one entirely, but I don’t find myself needing it too much, honestly.

(continued below, but I do hope you’ll consider following along with me…)

So Which Do I Choose? Both.

I believe it’s true what I read somewhere…”The best camera is the one you always have with you. The one that inspires you to take photos.” Since giving up my DSLR and buying the Sony and the Ricoh, I probably take 4 or 5 times as many photos – and I never miss an opportunity. That is priceless. I love having such inconspicuous , unassuming little cameras.

I have to be honest, though. For a second there I thought about selling my RX100 when I bought the Ricoh. I also thought about replacing it with the Panasonic LX10 f1.4.

I’m so glad I didn’t, though. I don’t think the Panasonic lens sharpness and low light capabilities can compare, even though the RX100 III is already over 2 years old. Frankly, there’s no way my Ricoh could compare to the RX100…for night shots around town, anyway.

So basically, if it’s daytime, I bring my Ricoh GR II…and I make sure my hand is steady as hell. Haha.  If I’m going out for drinks or exploring at night, the Sony RX100 III is my go to.

I believe in keeping things simple, but unfortunately there’s no one stop solution yet…I have to have both. I’m looking forward to the Ricoh GR III – with f1.8 and image stabilization…are you listening, Ricoh? Haha.

Sony RX100 III vs. Ricoh GR II Verdict: It’s like choosing between the Beatles and the Rolling Stones – I won’t do it.

Is the 28mm on the Ricoh GR II Wide Enough?

As a landscape photographer (mostly), I was really worried I would miss the wider 24mm lens for most of my daytime shots. However, I was shocked to realize that I hardly noticed the difference! Anyhow, there is an excellent (and affordable) Ricoh 21mm converter available for those who love to shoot really wide. Best of both worlds.

However, the way I’ve come to see it, photographers share most of their work on Facebook and Instagram. A very large chunk of their audiences are viewing their pictures on small phone screens.

A wider lens doesn’t lend itself too well to pictures that will be viewed on smartphone screens. Not that there’s that much difference between the 24 and 28mm lenses.

A note about the images on this page: My hosting company compresses JPEGS mercilessly, but it leaves PNG files in tact. I tried to keep these sample images as high quality as possible, so they were created with the PNG-24 format. It still skews the colors a bit, unfortunately.

As you may have guessed, they have all been edited in post processing. I just wanted to show what is possible using each camera. If you’re curious, the picture at the top (title image) was taken in the Philippines, with the Ricoh.

Which Pocket Camera Is Best For You?

In conclusion, both cameras provide exceptional image quality in a tiny, convenient package. I guess my advice is to be honest with yourself…

Are you very serious about photography AND not too self-conscious when you shoot? Are you a very technical person, a seasoned DSLR shooter, or a “pixel peeper”? If so, you’re going to need the Ricoh GR II. There is no better pocket camera in terms of ergonomics, sensor size and overall image quality. You probably won’t mind working with its limitations, given that fact.

However, if you need a sleek, versatile pocket camera with great image quality…a consistent camera that will function quickly and easily in a variety of situations (especially low light!), then you’ll love pretty much any models in the RX100 series. They are truly impressive little cameras.

Basically, the Sony does many things very well. The Ricoh only does a few things…but those few things are very important, and it does them incredibly well.

Do you own the Sony or the Ricoh (or both)?

I’m curious if your findings are the same.

Update for 2024: The Sony RX100VII & Ricoh GRIII are finally here!

– Nathan Allen

www.idreamedofthis.com

Thanks for reading, and feel free to share!

 Related Links

 My Low Light & Night Photography Tests with Sony RX100

RX100 Street Photography in Manila, Philippines

Street Photography in Singapore w/ Ricoh GR II

15 Jaw-Dropping Photos of the Philippines

Social Media

Have a question or comment? I’d love to hear from you. BTW, I’m not connected to these companies, but you can help support my work by visiting the the links to Amazon on this page.

The post Sony RX100 III vs. Ricoh GR II – Which Pocket Camera is TRULY King? appeared first on I Dreamed Of This.

Words & Photos By Nathan Allen

I love shooting silhouettes against the sunset. Here, a young family is flying kites together at Marina Barrage, Singapore. On the right hand side of the picture you can see part of iconic Marina Bay Sands.

Below is Harana Surf Resort on the island of Siargao, Philippines. This picture was shot during a full moon. It has been edited in post processing, but I am impressed that pocket camera can achieve results like this, nonetheless.

A Fast, Bright Lens That Still Beats the Competition

As far as I know, the only truly pocketable camera that *might* be able to compare in the low light / night shooting department would be the Panasonic LX10 (known as LX15 in Europe & Asia).

However, I did a LOT of research, including speaking to people who have both the RX100 III and the LX10. For extreme low light and sharpness of lens, they told me not even to think about selling the RX100 III. That says a lot, considering the Panasonic’s f1.4 lens is technically faster (and 2 years newer).

In some tests, the RX100 III outperformed even the M4 and M5 models which came after it.

Pictured above is the “Dragonfly Bridge”, looking up to the famous Marina Bay Sands in Singapore. I get some kind of strange photographer-nerd rush taking handheld shots like this. Constantly challenging myself shot after shot…seeing just how low I can get the ISO…while keeping image sharpness. Of course, the steady hand helps immensely…but at the same time, you’d be amazed how forgiving the image stabilization can be!

Above is the spectacular sunset at El Nido, Palawan (Philippines). I noticed the Sony does exceptionally well with sunset hues…and the RAW files process very nicely.

Here is a shot of a live band with some challenging indoor lighting…most cameras (especially compacts) would really struggle in situations like this.

This is definitely one of my favorites. It was a beach wedding that I stumbled upon while walking along the shore in Bohol, Philippines. This was soon after I bought the camera, and this shot left me with the distinct feeling that I had made the right decision…

Below is a city scene from downtown Singapore. I’ve never had a problem shooting at night in any city with the RX100. There is always enough light.

(continued below, but I do hope you’ll consider following along with me…)

Thanks to Stabilization, Long Exposure is a Blast

I took this picture on the streets of Manila, handheld. I never imagined the man’s shadow would show up on the side of the passing jeep, because I couldn’t even see it with my naked eye. I was in for quite a surprise a few days later when I viewed the photo! The RX100 captured it.

I prefer the RX100 M3, because it has a built in neutral density (ND) filter. This filter allows me to go 3-stops down…meaning I could even take the long exposure shot above during the day if I wanted! During the day without an ND filter, there is way too much light to get long exposure trails. The M4 & M5 models also have this feature, but a much higher price tag.

Another silhouette shot from the beach in Bohol, Philippines. The trick is to get as low as possible, to place your subjects (boy & coconut tree, in this case) above the horizon.

(If you’re considering the RX100, check out  Amazon… These are my trusted partners, and these links will get you the best price. It’s how I continue creating content like this – Thanks, Nathan)

Below is another one of my favorites. Taken at the Boni MRT overpass in Mandaluyong, Manila. If you were wondering, I never use flash. To me, this picture, shot in a very dark environment, is a true testament of what this little pocket rocket is capable of.

The fishing boat below was docked on a rocky beach after sunset…combined with some pretty heavy clouds, this was a real challenging low light situation. I really needed to lift the shadows to achieve this result. It was taken while I first experimented with the camera, and with rather high ISO. I didn’t even have the RAW file to work with!  JPEG only.

Hard to Imagine How Sony Could Top This

Yes, at the time of writing, there are some pretty impressive low light and high ISO cameras out there…but personally, if they don’t fit in my pocket, they’re off my radar. That’s my lifestyle.

The fact that the RX100 technology has already been around for 5 years kind of blows my mind. It really makes me wonder what the next big step will be. Whatever it is, I just hope I can still fit it in my pocket.

Hope you enjoyed.

Update for 2025: The Sony Rx100VII is out now!

– Nathan Allen

www.idreamedofthis.com

Thanks for reading, and feel free to share!

 Related Links

RX100 Street Photography in Singapore’s Colorful Chinatown District

My Detailed Comparison Between Sony RX100 & Ricoh GR II

RX100 Street Photography in Manila, Philippines

15 Jaw-Dropping Photos of the Philippines

Social Media

The post Low-Light & Night Photography – Handheld w/ the Sony RX100 appeared first on I Dreamed Of This.